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6 articles
Small shows often treat arts writing as confetti: something thrown after the event has already happened. If we want better criticism around small UK art in 2026, writers need to be invited early, paid properly and given the materials to do the job.
The best risk management in UK culture happens above a pub, in a room with forty chairs and a ten-minute slot. Art festivals keep chasing scale. Pub theatre shows us how to chase nerve instead — and how to pay people while doing it.
UK arts funding forms can flatten ambitious collaborative projects into jargon, but the answer is not to become a consultant. This opinion-led guide shows how to write a clearer application that keeps the artist's voice, with practical notes on narrative, budgets, access and collaboration evidence.
Sound is often the first thing visitors feel in a gallery and the last thing on the credit list. This opinion piece argues that UK venues need to commission, budget and credit audio as headline work — not as invisible atmosphere — with practical notes on licensing and awkward rooms.
Empty shops are not just gaps in the high street — they are affordable, visible spaces where artists can test work in public. A practical field guide to negotiating with landlords, programming for local footfall and proving the value of temporary art venues in UK towns in 2026.
Polished portfolios are fine, but they rarely tell us how the work got made. In 2026, UK audiences are gravitating towards studio diaries, rough cuts and honest process stories, and artists need ethical ways to let them in.